negotiations (chapter 1-i, dualaland-paris )

negotiations ch1-i

“Walking pass a street in the neighborhood of Château Rouge, street vendors negotiating with their clients left me with a feeling of displacement and nostalgia — a sense of familiar sounds struggling in a Parisian architectural setting. The rhythmic currency, negotiation codes to product names, all perculiar to open markets public spaces across central and west Africa and the nuances inbetween.”

« Fumbua ! carton à 10 euros, 
bobolo ! 3 pour 2 euros,
Safou, 8 à 5 euros, ceintures, arachide frais…. »

For his experiment, negotiations, chapter 1-i, Em’kal Eyongakpa composes a fragmented narrative from sounds recorded in Paris and Douala, in selected informal market settings, transport routes with excerpts from natural soundscapes or spaces where the objects of these negotiations are extracted. 
In these spaces of negotiations, identities are in constant mutation as the ancient confronts set urban codes. The dynamics of these spaces usually tend to mirror “maximalist” urban variants of ethnic music; like Bikutsi in Cameroun, Congotronics in RDC or even Juju in Nigeria.

In negotiations, chapter 1-i, the artist plays with undertones of negotiations and creolization of these highly political spaces. He attempts a dialogue between the intense anthrophony of these spaces in and with a “white cube”.

« How could one capture the beautiful essence or energies of these spaces of constant negotiations without over-altering the « maximalist » nature of the loud and seemingly chaotic environments. »

Capture d’écran 2015-04-09 à 15.43 ok

exhibition view at Kadist art Foundation: may 22nd – july 26th 2015

http://kadist.org/en/programs/all/2023

Photos : Aurélien Mole & Em’kal Eyongakpa — Courtesy of the artist & Kadist Art Foundation

Room 1: 7.1 surround sound installation (not available online…)

Room 2: Reference room (soundscapes/ poetry/ text reading/ vocals…)

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Notes on orchestrated field recordings—by Amal Alhaag  (view/download Negotiations Chapter 1-i —Emʼkal Eyongakpa)

conversation : Amal Alhaag and Em’kal Eyongakpa (view/download conversation_Amal&Emkal excerpt)

About Em'kal Eyongakpa

Em'kal Eyongakpa (b 1981) , Kɛnyaŋland/Dɛnyaland/ Itinerant. Approaches the experienced, the unknown, as well as collective histories through a ritual use of repetition and transformation, with interwoven installations/performances/soundscapes, that not only blurs the boundaries between employed media, but could also alter the notion of the real and the illusory. Initially trained as a botanist and ecologist, Eyongakpa switched to an interdisciplinary art pursuit, before taking even more time off for reflections around KHaL!LAND/KHaL! SHRINE/KHaL!toPIA. Selected recent exhibitions include 13th Sharjah Biennial 2017, La Biennale de Montréal 2016, 32a Bienal de São Paulo, Negotiations 1-i; Dualaland-Paris (Solo), Kadist art Foundation.

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