??fullmoons later/ wata kulture II *performance excerpt

*??fullmoons later/ wata kulture II ,  performance revisits intermedia artwork ??fullmoons later /letters from etokobarek(europe), with a focus on a new chapter “wata kulture II”. For wata kulture II fragment, he explores the link between characteristic sound signatures of water bodies and suspension rhythm, from numerous ethnic rhythmic variations through contemporary music. He references Etokobi rhythmic variations (cross-river basin, south west Cameroon) , jazz (John Coltrane, Africa/Brass, 1961/ Billie Holiday: Strange fruit ), Amiri Baraka, (Why’s/Wise, 2009) among others and connect this with the ongoing mediterranean crisis…

5.1 surround sound experience…soundscapes, vj’ing, spokenword, music excerpts, percussions…

Performance organized in the framework of the festival Africa Acts in collaboration with FGO-Barbara and Kadist Art Foundation.

filmed by Smaranda Olcèse

About Em'kal Eyongakpa

Em'kal Eyongakpa (b 1981) , Kɛnyaŋland/Dɛnyaland/ Itinerant. Approaches the experienced, the unknown, as well as collective histories through a ritual use of repetition and transformation, with interwoven installations/performances/soundscapes, that not only blurs the boundaries between employed media, but could also alter the notion of the real and the illusory. Initially trained as a botanist and ecologist, Eyongakpa switched to an interdisciplinary art pursuit, before taking even more time off for reflections around KHaL!LAND/KHaL! SHRINE/KHaL!toPIA. Selected recent exhibitions include 13th Sharjah Biennial 2017, La Biennale de Montréal 2016, 32a Bienal de São Paulo, Negotiations 1-i; Dualaland-Paris (Solo), Kadist art Foundation.

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