gaia beats/bits III-i /doves and an aged hammock

Drift wood, drift plastic, multi-channel sound (6.4), analogue motor, hydraulic system, nets, plant fibres, mycellium, other.

Installation view at “Tidalectics”, TBA21 Thyssen-Bornemisza Art Contemporary, Vienna, June 2 — November 19, 2017.

Courtesy Em’kal Eyongakpa, KHaLISHRINE, TBA21

for video documentation, (click on https://vimeo.com/233092177 )

documentation doves and an aged hammock-gaia beats 3-i TBAcontemporary (41)documentation doves and an aged hammock-gaia beats 3-i TBAcontemporary (42)sessions b5 plus docu1_40sessions b5 plus docu1_41t documentation doves and an aged hammock-gaia beats 3-i TBAcontemporary (55)

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process

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many thanks dear itinerant friends who let I & I record their personal …those who sent objects, Larebi, Sami, Forian of Gelitin and his wonderful kids, Gelalin collective,TBA team, and  the studio/

 

About Em'kal Eyongakpa

Em'kal Eyongakpa (b 1981) , Kɛnyaŋland/Dɛnyaland/ Itinerant. Approaches the experienced, the unknown, as well as collective histories through a ritual use of repetition and transformation, with interwoven installations/performances/soundscapes, that not only blurs the boundaries between employed media, but could also alter the notion of the real and the illusory. Initially trained as a botanist and ecologist, Eyongakpa switched to an interdisciplinary art pursuit, before taking even more time off for reflections around KHaL!LAND/KHaL! SHRINE/KHaL!toPIA. Selected recent exhibitions include 13th Sharjah Biennial 2017, La Biennale de Montréal 2016, 32a Bienal de São Paulo, Negotiations 1-i; Dualaland-Paris (Solo), Kadist art Foundation.

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